Oct
27
October 27, 2020
7:00PM - 9:00PM
2020-10-27 7:00PM 2020-10-27 9:00PM America/New_York Art Salon: Juana Valdes Private

Art Salon: Juana Valdes


“REST ASHORE: AN EXPLORATIONS ON RACE, TRANSNATIONALISM, GENDER, LABOR, CLASS.”
 

Join us on Zoom for this FREE virtual art salon.

When: Oct 27, 2020 07:00 PM Eastern Time (US and Canada)

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Attendance at Art Salons is FREE, thanks to a generous donation by Ezra and Christy Hubbard.
 
 
About the Speaker:
 
Juana Valdes uses printmaking, photography, video, hand-crafted fabric, ceramics, and site-specific sculptural installations, to explore issues of race, transnationalism, gender, labor, and class. Functioning as an archive, Valdes’s work analyzes and decodes experiences of migration as a person of Afro Caribbean heritage. These works have been featured in numerous group and solo exhibitions in the United States, the Caribbean, and Europe. She is also an Associate Professor of Printmaking at the University of Massachusetts, Amherst, and is represented in Miami by Spinello Projects.

Born in Cuba and raised in Miami, her work balances a combination of atmospheric storytelling and insistent feminist inquiry, brought to life through a thread of rural mysticism. A persistent interest in the semiotics of commercial and mass produced imagery animates and fuses the elements of her art. Her work projects the persona of an artist who is apparently part shaman, part urbane anthropologist, engagingly and allusively translating the details of her life history and wide ranging visual interests.

Her most recent work is a significant departure from previous work, and is being shown at Locust Projects in Miami from September 12 to October 24. “Rest Ashore” is a new large scale multi-channel video installation. It reexamines the Cuban migration experience over the past sixty years and how it relates to the current global refugee crisis. The installation explores similarities in how the refugee crisis has been documented and disseminated in mass media throughout the years, both past and present, while creating a new visual vernacular honoring those who died at sea in their travels. Rest Ashore marks Valdes’s first significant expansion into video and a dramatic shift in her artistic process.

While this project differs significantly from Valdes’s past work, it continues her thematic explorations of the sea, ocean, rivers, and “bodies of water”, which have always played a significant role in her practice and shifted the way in which she perceives and reimagines the Caribbean.

Using the Cuban-American rafters “Balseros” experience as a starting point and reflecting upon past and current migration by sea, Rest Ashore aims to address the current refugee crisis worldwide, remembering and recognizing those refugees who died at sea in their journeys. The project pushes past the conventional beliefs of what it means to be a refugee and questions how these experiences are chronicled in the media and recorded in our memories.

Recent solo exhibitions include: “Terrestrial Bodies”, Cuban Legacy Gallery, Miami Dade College Special Collections, Freedom Tower (2019-2020); “An Inherent View of the World”, Mindy Solomon Gallery, Miami (2017); “From Island to Ocean: Caribbean and Pacific Dialogues”, Center for Cultural Analysis, Rutgers University, NJ (2015), and “Remnants-What Remains”, Thomas Hunter Project Space, Hunter College, CUNY (2014).

Her exhibition “An Inherent View of the World” was acquired in full by the Pérez Art Museum, Miami and was featured in a recent exhibition, Polyphonic: Celebrating PAMM’s Fund for African American Art from February 7 – August 9, 2020.

Recent group exhibitions include: Queer + Peculiar Craft, showcasing recent work by an international group of artists, designers and makers working with ceramics and textiles, The Clemente Abrazo Interno Gallery, NYC (2019-2020); GROUNDED, Spinello Projects, Miami (2019); RAW: Craft, Commodity, and Capitalism, Craft Contemporary, LA (2019); Building a Feminist Archive: Cuban Women Photographers in the US, Pompano Beach Cultural Art Center, FL (2019); Round 49: Penumbras: Sacred Geometries at Project Row Houses, Houston (2019); Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Museum of Latin American Art, presented as part of Pacific Standard Time: LA/LA, Long Beach, CA (2017) traveled to: Wallach Gallery at the Lenfest Center for the Arts, Columbia University and Sugar Hill Children’s Museum of Art & Storytelling, NYC; and the Delaware Art Museum (2018).

Her work has also been included in group exhibitions in such museums and university galleries such as: Site Santa Fe, Perez Art Museum, El Museo del Barrio, NYC; P.S. 1 MOMA, NYC; MOCA, North Miami; Galerie Verein Berliner Künstler, Berlin; the Mason Gross Galleries at Rutgers University, NJ; Newark Museum, NJ; Galerie Binnen, Amsterdam; and FreeSpace, Sydney.

Grants, Awards and Fellowships include: Joan Mitchell Foundation Grant (2018), The Ellies Creator Award (2018); The Netherland-American Foundation Cultural Grant, (2011); New York Foundation for the Arts, Sculpture/Craft (2011); the National Association of Latinos Arts and Culture Visual Artists Grant (2009); and the Pollock-Krasner Foundation Grant (1998).

Born in Pinar del Rio, Cuba, Valdes came to the United States in 1971. She received her BFA in Sculpture from the Parsons School of Design (1991), her MFA in Fine Arts from the School of Visual Arts (1993) and attended the Skowhegan School of Painting & Sculpture (1995).
 

Category Tag(s): Salons